The difference between a listing that fills and one that doesn’t is usually in the first three things someone sees.
Your title is what appears on cards, in search results and in the link when someone shares it. Lead with the thing people are actually looking for.
You have 70 characters. Put the match, act or artist first and your venue second.
The 4:5 poster is what people see on listing cards, so it has to work small — big type, high contrast, no dense detail. The 1:1 image sits on the event page itself and can carry more. Avoid burning important text into the very edges; cards crop.
A single price makes people decide yes or no. Two or three tiers make them decide which — a much easier decision, and the middle tier usually outsells the cheapest.
“Reserved front-row seat” beats “premium”. “Two pitchers included” beats “drinks”. Each perk goes on its own line and appears when someone selects that pass — three concrete lines do more than eight vague ones.
Approval takes 24–48 hours, but your public link exists as soon as you submit. Copy it from your show page and start sharing before approval lands, so the page is already circulating when it goes live. Listings put up a week or more ahead have time to build; same-day listings rarely do.
A tier marked coming soon is visible but not on sale, and people can ask to be notified. That's a way to gauge demand for a premium tier before you commit capacity to it — and it gives you a warm list to email the moment you open it.
The full address becomes a Google Maps link on your event page. A vague one produces day-of confusion and no-shows; a precise one (floor, landmark, mall) does not. It's also saved for reuse, so you only pay this cost once per venue.
Ratings from attendees appear on your profile and carry into your next listing. Ask people on the way out. See the creator guide for what happens with payouts.